Email this article 
Pesona Alam dalam Fotografi Landscape dalam Kerangka Analisis Isi
Abstract
The choice of nature as a space for exploration, including mountains, sea and rice fields in the creation of works of art is because nature is an entity that cannot be separated from human life. The creator of this work uses observation and experimentation methods to be able to visualize nature through landscape photography. This research method is descriptive qualitative by analyzing the contents of photos and compositions. The research steps include preferences, experimental analysis and detour analysis. The choice of nature as a space for exploration, including mountains, seas and rice fields in the creation of works of art means that nature is an entity that cannot be separated from human life. Within the framework of photography techniques, it can give birth to a variety of imaginations when explored, especially through the art medium of photography.
Keywords
Full Text:
PDFReferences
Arbi, F., & Dewi, S. I. (2019). Pengaruh media sosial instagram terhadap minat
fotografi pada komunitas fotografi kamera indonesia malang. Jurnal Ilmu
Sosial dan Ilmu Politik (JISIP), 6(2).
Astiti A. (2010). " Melihat Pemandangan Kota Dalam Fotografi Urban
Landscape". Solo. Institut Seni Indonesia Surakarta.
Bell, B. T. (2019). “You take fifty photos, delete forty nine and use one”: A
qualitative study of adolescent image-sharing practices on social media.
International Journal of Child-Computer Interaction, 20, 64-71
Caraffa, C. (2019). The photo archive as laboratory. Art history, photography,
and materiality. Art Libraries Journal, 44(1), 37-46.
Ch’ng, E., Cai, S., Zhang, T. E., & Leow, F. T. (2019). Crowdsourcing 3D cultural
heritage: best practice for mass photogrammetry. Journal of Cultural
Heritage Management and Sustainable Development, 9(1), 24-42.
Chandra, F. H., & Nugroho, Y. W. (2017). Implementasi flipped classroom
dengan video tutorial pada pembelajaran fotografi komersial. Demandia:
Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan, 20-
Erlyana Y. dkk. (2019). "Analisis Komposisi Fotografi Pada Foto Editorial
"Elephants" Karya Steve Mccurry". Universitas Bunda Mulia.
Erwitt, E. (1988). The Wit and Wisdom of Elliot Erwitt. The New York Times
Magazine.
Faizin A. dkk. (2021). "Kesendirian: Fotografi Landscape Dengan Visual
Minimalis". Yogyakarta. Institut Seni Indonesia Yogyakarta.
Fahmi, M. H., Widayati, S., & Setiyaningsih, L. A. (2021, October). Upgrading
keterampilan jurnalistik dan literasi media sebagai media exposed potensi
desa melalui pengelolaan website. In Prosiding Seminar Nasional
Pengabdian Masyarakat Universitas Ma Chung (Vol. 1, pp. 266-279).
Feng, X., Ma, Y., & Gao, L. (2022). Compact light field photography towards
versatile three-dimensional vision. Nature communications, 13(1), 3333.
Hammond, A. (1998). Ansel Adams and objectivism: Making a photograph with
group f/64. History of Photography, 22(2), 169-178.
Hu, Y., Yao, M., Huang, Z., Peng, J., Zhang, Z., & Zhong, J. (2022, August).
Full-Resolution Light-Field Camera via Fourier Dual Photography.
In Photonics (Vol. 9, No. 8, p. 559). MDPI.
Jati Kusuma, M. I. (2019). Messages of parents affection for children in the
movie bulan terbelah di langit amerika. International Journal of
Communication and Society, 1(2), 89–96.
https://doi.org/10.31763/ijcs.v1i2.47
Kilcullen, P., Jiang, C., Ozaki, T., & Liang, J. (2020). Camera-free three-
dimensional dual photography. Optics Express, 28(20), 29377-29389.
Kusuma, S. S. (2022). Analisis arah cahaya dalam studio fotografi. IMAJI: Film,
Fotografi, Televisi, & Media Baru, 13(2), 144-152.
Lotan, F. F. (2019). Making a positive internet through Socmed Agawe Guyub.
International Journal of Communication and Society, 1(1), 9–16.
https://doi.org/10.31763/ijcs.v1i1.22
Marta, R. F., Hafiar, H., Setiawan, Y. B., Andriani, F., Lestari, P., Pamungkas,
S., ... & Setyaningsih, L. A. (2019, March). Author compliance in following
open journal system of communication science in Indonesia. In Journal of
Physics: Conference Series(Vol. 1175, No. 1, p. 012222). IOP Publishing.
Murwonugroho, W., & Atwinita, S. (2020). Penguatan teknik dasar fotografi dan
teknik lampu studio pada sesi pemotretan model. Jurnal PkM (Pengabdian
kepada Masyarakat), 3(1), 114-122.
Mustaqim, M., Setiyaningsih, L. A., & Fahmi, M. H. (2021). Organizational
Culture Dalam Membangun Komunikasi Pendidikan Berbasis
Multikulturalisme dan Teknologi. ETTISAL: Journal of Communication,
(1), 83-98.
Nugroho, O. C., Tricana, D. W., & Pinaryo, P. (2022). landscape Photography
in Mapping Potential Natural Disasters in Ponorogo
Regency. ARISTO, 10(1), 118-133.
Ruchatz, J. (2018). Selfie reflexivity: Pictures of people taking
photographs. Exploring the selfie: historical, theoretical, and analytical
approaches to digital self-photography, 49-82.
Sheppard, R. (2013). Landscape Photography: Dari Foto Biasa Jadi Luar Biasa.
Jakarta. Kelompok Gramdia.
Wiksana, W. A. (2017). Studi Deskriptif Kualitatif tentang Hambatan Komunikasi
Fotografer dan Model dalam Proses Pemotretan. Mediator: Jurnal
Komunikasi, 10(1), 121-131.
Yunianto, I. (2021). "TEKNIK FOTOGRAFI, Belajar Dari Basic Hingga
Profesional". Semarang. Yayasan Prima Agus Teknik. Universitas
STEKOM.
DOI: https://doi.org/10.26905/nomosleca.v9i2.9902
Refbacks
- There are currently no refbacks.
Editorial Office
Jurnal Nomosleca
Faculty of Social and Political Science University of Merdeka Malang
Information:
Statistics: |
|
© 2020 {Jurnal Nomosleca}, All rights reserved. This is an open-access article distributed under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License. Licensed under |
